Accuracy, context, cultural sensitivity, and an awareness of how things can go wrong are part of an ethical approach to using images.
Codes of professional ethics condemn this sort of news manipulation, as follows:
- National Press Photographers Code of Ethics Editing should maintain the integrity of the photographic images’ content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.”
- Associated Press. AP pictures must always tell the truth. We do not alter or manipulate the content of a photograph in any way. The content of a photograph must not be altered in PhotoShop or by any other means. No element should be digitally added to or subtracted from any photograph. The faces or identities of individuals must not be obscured by PhotoShop or any other editing tool. Only retouching or the use of the cloning tool to eliminate dust and scratches are acceptable. Minor adjustments in PhotoShop are acceptable… (but) … Changes in density, contrast, color and saturation levels that substantially alter the original scene are not acceptable. Backgrounds should not be digitally blurred or eliminated by burning down or by aggressive toning.
- Reuters: No additions or deletions to the subject matter of the original image. (thus changing the original content and journalistic integrity of an image). No excessive lightening, darkening or blurring of the image (thus misleading the viewer by disguising certain elements of an image). No excessive colour manipulation. (thus dramatically changing the original lighting conditions of an image). Only minor Photoshop work should be performed in the field (especially from laptops). We require only cropping, sizing and levels with resolution set to 300 dpi. Where possible, ask your regional or global picture desks to perform any required further Photo-shopping on their calibrated hi-resolution screens…
- Photographer’s Guide to Privacy by the Reporters Committee for Freedom of the Press
PHOTO MANIPULATION
Photo manipulation presents us with ethical dilemmas of varying degrees of severity. In some cases, the photographers or editors are fired when unethical images are used. In other cases, such as this magazine cover from the Economist, the ethical issue is debatable.
Volkswagen ad, 2020
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Volkswagen’s racist ad from May 2020 “horrified” management when they realized what their agency had done. A company official apologized and called it “an insult to every decent person.” The 10-second clip depicted a pair of oversize white hands dragging a black man away from a new VW Golf 8 sedan, and flicking him violently into a restaurant called “Petit Colon,” a name with overtones of colonization. Briefly as a spokeswoman reads the phrase “Der Neue Golf,” or “the new Golf,” as it appears on the screen, the letters materialize in an order that briefly spells the German n-word. | ||
ASIANA FLIGHT 214 |
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Yom Kippur coverage 2015 |
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HURRICANE KATRINA 2005 | ||
OJ SIMPSON. NEWSWEEK AND TIME, 1994 |
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MUG SHOTS IN IOWA, 2015Racism is often built into the crime reporting system. Take for example the selection of mug shots to illustrate arrest stories. In March of 2015, the Cedar Rapids Iowa Gazette newspaper reported on two groups of people who were arrested for two burglaries. The police mug shots of one group were posted, while yearbook pictures were posted for the other group. After this comparison showed up in social media, the Gazette went back to the police department and got the mug shots for the second group |
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Kent State 1970
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IRAQ 2003 |
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